Manifesto        Exhibition        About





[ Eunha Chang ]                 Eunha Chang (she/her) is the founder and leading force behind Post-Sexual Futures. Chang is a curator and researcher working between contemporary art theory and ecology. Based in Seoul, she is curating, via collaborative practice involving cross-cultural exchange, history from the Japanese colonial era to the present in and around Asia. She holds an MA in Contemporary Art Theory (Goldsmiths, University of London) and is currently a partner curator of Inclusivity and/or Innovation as Curatorial Practices (2022-2023), a joint artistic research and cultural collaboration program between DutchCulture and Art Council Korea and a coordinator for Scoring the Words (2022) and The Part In The Story Where Our Accumulating Dust Becomes A Mountain (2023-2024) in the Exhibition Division at Seoul Museum of Art and assisting in their International Exchange Team.

[ Maria Markiewicz ]        Maria Markiewicz (she/her) is a cultural theorist, curator, and an art writer currently based in New York. Her research interests include asexuality studies, critical posthumanities, and continental philosophy. She holds an MA in Contemporary Art Theory from Goldsmiths, University of London, and a BA in cultural studies from Central Saint Martins, University of the Arts London. Maria is a 2023-24 Fulbright scholar at the New School for Social Research in New York and a contributor to Asexualities: Feminist and Queer Perspectives Anniversary Edition (Routledge, forthcoming).

[ Shi Sun ]                           Shi Sun (she/her) is currently a curator and writer living and working in London. She graduated with an MA in Contemporary Art Theory at Goldsmiths, University of London. She has worked in curatorial teams and art media, with research interests centered around queer feminism and diasporic cultures. She co-founded the art studio 'Picupthesesame,' which primarily focuses on visual cultures and promotes female and queer artists in contemporary artistic practice.